With 9.5K delegates and sessions that span all forms of geography, the conference was as busy and buzzing as you’d expect. The arts had a healthy presence in the programme and my paper, ‘Moving beyond creative placemaking: the micropublic of a social practice placemaking project’ was presented as part of the Creative Placemaking and its Micropublics. The session was convened by Martin Zebracki, University of Leeds, and Saskia Warren, University of Manchester; fellow speakers were Micheal Rios, University of California, and Annette Koh, University of Hawaii at Manoa.
My paper aimed to disrupt the creative placemaking term as one misused in the placemaking sector; from a vernacular aspect, commonly to mean any placemaking with any arts component in it; and on a policy level, as a placemaking approach that uses the arts in placemaking to economic ends. The focus of my PhD research has been on what I have come to term social practice placemaking, one where the arts are situated at the grassroots and primarily employed for social and cultural gain, the economic imperative found in creative placemaking either missing or of lower significance. Amin’s micropublics of the title was used as a theory to explain the agency of such projects to galvanise people around arts and place and this was framed in the example of my Indianapolis case study, Big Car.