AAG 2018 – Call for Papers – Arts research, theory and practice

AAG 2018 – Call for Papers – Arts research, theory and practice

American Association of Geographers annual conference, 10th to 14th April 2018, New Orleans

With the theme of the 2018 AAG conference being Black Geographies and Geographies of Struggle and the Association’s concern with engagement outside of its academy thresholds, we are seeking papers from academics and practitioners from across the geography, arts and community development disciplines and sectors to form a three-part whole-day session on these issues.

Session 1 will focus on practice-based research; Session 2, on theory and its application in this regard; and Session 3, on practice and practitioners.

We are seeking contributions from a global field from all settings; urban, suburban and rural. We are especially interested in contributions from practitioners and ‘non-academics’ and in directly including the community voice in the paper presentations. We aim to include both qualitative and quantitative research and project evaluations, as well as methodologies, and critiques of the same.

Please submit an abstract for consideration, of no more than 250 words, by 20th October, to both cara@caracourage.net and anita@smartlab-ie.com. Successful applicants will be informed by 23rd October for their timely registration to AAG 2017.

We cannot offer funding for attendance at the conference at this time so responses to this CfP should be made on this basis. For all information relating to the conference and its registrations deadlines (25th Oct 2017), please visit: http://annualmeeting.aag.org.

Moving beyond creative placemaking at AAG 2015

This April I presented a paper on my Indianapolis case study, Big Car, at the 2015 meeting of the American Association of Geographers in Chicago.

With 9.5K delegates and sessions that span all forms of geography, the conference was as busy and buzzing as you’d expect. The arts had a healthy presence in the programme and my paper, ‘Moving beyond creative placemaking: the micropublic of a social practice placemaking project’ was presented as part of the Creative Placemaking and its Micropublics. The session was convened by Martin Zebracki, University of Leeds, and Saskia Warren, University of Manchester; fellow speakers were Micheal Rios, University of California, and Annette Koh, University of Hawaii at Manoa.

My paper aimed to disrupt the creative placemaking term as one misused in the placemaking sector; from a vernacular aspect, commonly to mean any placemaking with any arts component in it; and on a policy level, as a placemaking approach that uses the arts in placemaking to economic ends. The focus of my PhD research has been on what I have come to term social practice placemaking, one where the arts are situated at the grassroots and primarily employed for social and cultural gain, the economic imperative found in creative placemaking either missing or of lower significance. Amin’s micropublics of the title was used as a theory to explain the agency of such projects to galvanise people around arts and place and this was framed in the example of my Indianapolis case study, Big Car.