IJAMCP paper

I have a paper published in Volume 4 of the Irish Journal of Arts Management and Cultural Policy. The paper focuses on my Dublin case study research as part of my PhD, Art Tunnel Smithfield, and is concerned with art practice, process, and new urbanism in Dublin. 

The journal is open access and the paper available to download

 

Abstract

This paper presents research with Art Tunnel Smithfield (ATS), Dublin, positioning it in Dublin-wide placemaking practices, and situating it within the city’s tracts of vacant land and Dublin’s bespoke new urbanism. It focuses on the project as a form of social arts practice, giving examples of arts activities and agencies in the space, and locating the work within placemaking typology as ‘social practice placemaking’ (SPPM). SPPM is conceptualised as an extension of participatory public/new genre public art (Lacy, 2008) to a ‘new situationism’ (Doherty, 2004). This perspective views the co-production of art as constructive of new spatial configurations and emergent relations between users and space. Locating this work in the socio-politics of urban life, SPPM has to be understood as an art form that dematerializes the built object and is concerned with creative and social processes and outcomes.

Moving beyond creative placemaking at AAG 2015

This April I presented a paper on my Indianapolis case study, Big Car, at the 2015 meeting of the American Association of Geographers in Chicago.

With 9.5K delegates and sessions that span all forms of geography, the conference was as busy and buzzing as you’d expect. The arts had a healthy presence in the programme and my paper, ‘Moving beyond creative placemaking: the micropublic of a social practice placemaking project’ was presented as part of the Creative Placemaking and its Micropublics. The session was convened by Martin Zebracki, University of Leeds, and Saskia Warren, University of Manchester; fellow speakers were Micheal Rios, University of California, and Annette Koh, University of Hawaii at Manoa.

My paper aimed to disrupt the creative placemaking term as one misused in the placemaking sector; from a vernacular aspect, commonly to mean any placemaking with any arts component in it; and on a policy level, as a placemaking approach that uses the arts in placemaking to economic ends. The focus of my PhD research has been on what I have come to term social practice placemaking, one where the arts are situated at the grassroots and primarily employed for social and cultural gain, the economic imperative found in creative placemaking either missing or of lower significance. Amin’s micropublics of the title was used as a theory to explain the agency of such projects to galvanise people around arts and place and this was framed in the example of my Indianapolis case study, Big Car.