My teaching and learning practice is grounded in a cultural learning pedagogy, shaped by over three decades of work across the cultural sector and higher education, and rooted in the belief that knowledge is relational, participative, plural, and co-created.

This approach has been developed through a career that bridges the academy and practice—working in arts, placemaking, and civic engagement—where learning is not confined to formal settings but takes place wherever people come together to reflect, make, and create. I see cultural experience as a catalyst for transformation, and learning as a lifelong, embodied process. My pedagogy draws on critical and aesthetic traditions in arts-based education, while also engaging with contemporary questions of identity, equity, and public value.

Cultural learning, as I practise it, is a socially embedded and expressive process. It works with cultural meanings, stories, artefacts, and identities to foster understanding of the self and society. It is a relational, co-constructed practice that values the diverse cultural references each learner brings. Influenced by thinkers such as Anna Cutler and Tim Jones, my pedagogy embraces creativity as a civic and educational force—one that can generate insight, foster inclusion, and support change in both people and places.

Academic Archers

Academic Archers is a community of enquiry I co-founded with Dr Nicola Headlam, bringing together fans of BBC Radio 4’s The Archers with academic curiosity about the programme. What began as a playful experiment—a fan-led conference on a shoestring budget—has grown into a thriving interdisciplinary platform. We are now seven conferences, five edited collections (published with Emerald), four podcast series, and a YouTube channel in.

Academic Archers deliberately collapses the boundaries between academic and fan cultures. We use The Archers as a lens through which to explore rural life, policy, media, and cultural narratives—always with rigour, humour, and a commitment to inclusivity. We challenge academic conventions while creating space for joyful, serious scholarship rooted in shared popular culture.

The project has attracted widespread public and media interest, with features in The Guardian, The Observer, The Independent, The Times, The Telegraph, and appearances on BBC Radio 4’s Today, PM, Feedback, and Woman’s Hour, as well as across regional press and radio. Above all, Academic Archers remains a welcoming, ever-evolving collective dedicated to curiosity, critical thinking, and community.

Creative Campus Initiative (2009–2015)

Co-Director | Network Manager | Cultural Co-ordinator
Hosted by the University for the Creative Arts, University of Brighton, and University of Sussex

(2009-15)

Creative Campus Initiative (CCI) was one of the most ambitious arts and higher education collaborations of the London2012 Cultural Olympiad. I played a key role in its conception, development, delivery, and legacy. Spanning 13 universities and engaging with regional, national and international partners, CCI delivered four major regional projects with large-scale, site-specific commissions—most notably at the Olympic Park and Gatwick Airport—and embedded arts-led collaboration across disciplines, institutions and public life.

My work encompassed strategic planning, fundraising (£1M+ from HEFCE, ACE, HLF), creative commissioning, cross-sector brokering, and long-term sustainability planning aligned with graduate employability and creative industries partnerships. I led the creation of a bespoke online journal, co-edited the Creative Campus publication, and developed advocacy, income, and network models that connected HEIs to industry and the public realm in new and lasting ways.

I also directed delivery of 15 collaborative projects with the Universities of Sussex and Brighton, combining arts, science, and sport through research-led public events and education programmes. These culminated in a three-month public arts season with over 250,000 attendees and a joint London2012 Inspire Mark.

The Creative Campus Initiative was recognised nationally, winning the Podium Award for Creative Cultural Project of the Year and being shortlisted for the Coubertin Olympic Vision Award. Many of the partnerships, pedagogical approaches, and creative commissions developed through CCI continue to shape teaching and learning practice and sector collaborations to this day.

Some CCI commissions

Dysarticulate, Jon Adams

The Big Swim, Tine Bech

A Hundred Seas Rising, Suki Chan

1908, Lightning Ensemble

New Creatives, University of Portsmouth Faculty of Creative and Cultural Industries SPACE Off-site programme in partnership with Aspex Gallery

Billy Bow, collaboration between the Nuffield Theatre, the University of Southampton and Southampton Solent University, created by Dr Andrew Fisher, from the University of Southampton, and naval historian Dr Ian Friel